All Sir John Everett Millais's oil paintings

Image

Oil Pantings, Sorted from A to Z

Other Information

92649

A Flood

Date 1870(1870) Medium oil on canvas Dimensions 99.3 x 144.9 cm TTD

94990

A Huguenot

1852 Type Oil on canvas Dimensions 92.71 cm x 64.13 cm cyf

53433

Antumn Leaves

mk231 1856 Oil on canvas

56954

Aofeiliya

mk250 Year in 1852. Oil on canvas, 76.2 x 111.8 cm. Lunduitaite Museum of Art.

56243

autumn leaves

mk247 1855 to 56,oil on canvas,41x29 in,104x74 cm,manchester city art galleries,uk

95000

Black Brunswicker

1860 Type Oil on canvas Dimensions 104 cm x 68.5 cm cyf

79610

Blow Thou Winter Wind

Oil on canvas, 108 x 155 cm Date 1892(1892) cyf

2863

Bubbles

11842

Charles J.Wertheimer

Esq,1888 4' 2 1/2'' x 2' 9''(128 x 84 cm)Gift of Mrs.Wertheimer,1914

53458

Cherry Ripe

mk231 Oil on canvas 86.3x65.4cm

78309

Chill October

Oil on canvas, 55.5 x 73.5 in Date 1870(1870) cyf

53419

Christ in the House of His Parents

mk231 1850 33x54in

68961

christ in the house of his parents

1849-50 oil on canvas 86.4x139.7cm se

90541

Christ in the House of His Parents

1849(1849) Medium oil on canvas Dimensions Height: 864 cm (340.2 in). Width: 1,397 cm (550 in). cyf

87126

Christus im Hause seiner Eltern

1850(1850) Medium Oil on canvas cyf

90812

Dew-Drenched Furze

1889(1889) Medium oil on canvas Dimensions Height: 173.2 cm (68.2 in). Width: 123 cm (48.4 in). cyf

76503

Dimensions and material of painting

Dimensions and material of painting: Oil on canvas, 145.2 x 101.1 cm cjr

76504

Dimensions and material of painting

Dimensions and material of painting: Oil on canvas, 55.5 x 73.5 in cjr

76659

Dimensions and material of painting

Dimensions and material of painting: Oil on canvas, 108 x 155 cm cjr

78554

Dimensions and material of painting

Oil on canvas, 108 x 155 cm Date 1892(1892) cyf

75193

Effie Gray

English: John Everett Millais's wife Effie Gray in middle age holding a copy of the Cornhill Magazine Date around 1860 cyf

53437

Escape of a Heretic

mk231 1559 1857 Oil on panel 25.4x20.3cm

95036

Esther

1865 Type Oil on canvas cyf

27996

Ferdinand Lured by Ariel

1849-50 Oil on wood 64.5 x 50.8 cm (25 1/2 x 20in) Private collection (mk63)

78308

Glen Birnam

Oil on canvas, 145.2 x 101.1 cm Date 1890-91 cyf

90810

Hearts are Trumps

1872(1872) Medium oil on canvas Dimensions Height: 1,657 cm (652.4 in). Width: 2,197 cm (865 in). cyf

92171

Herbstlaub

1856(1856) Medium oil on canvas Dimensions 104,3 X 74 cm cyf

28162

Hohn Ruskin

1853-4 Oil on canvas 79 x 68 cm (31 x 26 3/4 in) Private collection (mk63)

56223

isabella

mk247 1848 to 49,oil on canvas,40.5x56.25 in,103x143 cm,walker art gallery,liverpool,uk

94988

Isabella

1849 Type Oil on canvas Dimensions 103 cm x 142.8 cm cyf

53408

James Wyatt and His Granddaughter

mk231 1849 Oil on c anvas

95100

John Everett Millais

1885 Type Oil on canvas Dimensions 160.7 cm x 215.9 cm cyf

73498

John Everett Millais's wife Effie Gray in middle age holding a copy of the Cornhill Magazine

John Everett Millais's wife Effie Gray in middle age holding a copy of the Cornhill Magazine around 1860 cjr

90266

John Ruskin, portrait

Oil on canvas, 78.7 x 68 cm, arched top. Date 1853-1854 cjr

71040

la somnambule

mk289 1871 bolton muswum and art gallery

37691

Leisure Hours

mk127 21x28 Oil on canvas

2859

Mariana

1851

40706

Mariana

mk156 1851 Oil on canvas 59.7x49.5cm

28022

Mrs James Wyatt Jnr and her Daughter

c 1850 oil on wood ,35.6 x 45.1cm (14 x 17 3/4in) Tate Gallery London (mk63)

90572

Mrs James Wyatt Jr and her Daughter Sarah

c. 1850(1850) Medium oil on mahogany Dimensions Height: 353 cm (139 in). Width: 457 cm (179.9 in). cjr

2860

My First Sermon

1862-63

89876

North-West Passage

oil on canvas cjr

56635

ofelia

mk248 prerafaeliterna experimenterade med alla nya fargpigment som fanns att tillga ocb for att uppna maximal kyster glaserades de pa dukar som forst bestrukits med zinkvitt,ofelia kan betraktas som en fargbandelskatalog med koboltbkatt. krappfarg, kromgult, kromocid ocb zinkgult, millais borjade mala bakgrunden i london foljande vinter, lizzie siddal. preafarliternas musa, fick ligga i ett vattenbad som vattenbad som varmdes underifean av oljelampor. iford en gammal brokadklanning. den forkylning bebandlingen ledde till fill fick bennes far att bota konstnarn med skadestandskrav.

2858

Ophelia

1851-52 Tate Gallery, London

27673

Ophelia

mk58 1851-2 oil on canvas 76.2x111.8cm Tate.London

34011

Ophelia

mk87 1851 Oil on canvas 76x112cm London,Tate Gallery

40708

Ophelia

mk156 1851 Oil on canvas 76x112cm

53424

Ophelia

mk231 1852 Oil on canvas 30x44in

56233

ophelia

mk247 1851 to 52,oil on canvas,30x44 in,76x112 cm,tate collection,london,uk

21551

Ophelia (mk09)

1851 Oil on canvas,76 x 112 cm London,Tare Gallery

24402

Ophelia (mk28)

1852 Oil on canvas 76 x 112 cm London Tate Gallery

94991

Order of Release

1852 Type Oil on canvas Dimensions 102.9 cm x 73.7 cm cyf

94996

Peace Concluded

1856 Type Oil on canvas Dimensions 120 cm x 91 cm cyf

53413

Pizarro Seizing the Inca of Peru

mk231 1845

73803

Pizarro seizing the Inca of Peru (1845) by John Everett Millais

Pizarro seizing the Inca of Peru (1845) by John Everett Millais 1845(1845) cjr

56634

reklamtavla for pears pears soap med bubblor

mk248 millais barnbarn william fames satt modell for malningen, ursprungligan kallad a childs world. nar foretaget pears kopre den var man tvungen att fa millais tillstand for att mala dit en tval ovb anvanda den som reklam. bubbles forblir en av de mest ikoniska reklamsymboler som nagonsin utformats ocb manga av de fargtryck pears kom att publicera bangde i bem over bela varlden.

94998

Sir Isumbras at the Ford

Sir Isumbras at the Ford by JE Millais, 157 Image is taken from cyf

78667

Spring

Oil on canvas, 43-1/2 x 68 in Date 1856-59 cyf

79339

Spring

Oil on canvas, 43-1/2 x 68 in Date 1856-59 cyf

2862

The Black Brunswicker

1860 Lady Lever Art Gallery

96464

The Black Brunswicker

1860(1860) Medium oil on canvas cyf

2861

The Blind Girl

1854-56 Birmingham Museum and Art Gallery, England

95052

The Boyhood of Raleigh

1870 Type Oil on canvas Dimensions 120.6 cm x 142.2 cm cyf

51805

The crown of love

mk221 1875 Oil on canvas 130x88cm

96765

The Farmers Daughter

oil on canvas, 45.4x35 cm Date ? cyf

81288

The Martyr of the Solway

ca. 1871 cyf

88560

The Nest

1887(1887) Medium Oil on canvas cjr

96624

The North

1874(1874) Medium oil on canvas cyf

91097

The North-West Passage

1874(1874) Medium oil on canvas Dimensions Height: 1,765 cm (694.9 in). Width: 2,222 cm (874.8 in). cyf

94992

The Proscribed Royalist

1853 Type Oil on canvas Dimensions 102.8 cm x 73.6 cm cyf

27993

The Rescue

1855 Oil on canvas 119.4 x 83.8cm (47 x 33in)National Gallery of Victoria Melbourne (mk63)

28235

The Return of the Dove to the Ark

1851 Oil on canvas 87.6 x 54.6 cm (34 1/4 x 21 1/2 in) Ashmolean Museum Oxford (mk63)

87123

The Vale of Rest

1858(1858) Medium Oil on canvas cyf

91095

The Vale of Rest

1858(1858) Medium oil on canvas Dimensions Height: 102.9 cm (40.5 in). Width: 172.7 cm (68 in). cyf

95045

Vanessa

1868, cyf

95057

Victory O Lord

1871 Type Oil on canvas Dimensions 194.7 cm x 141.3 cm cyf

79750

Winter Fuel

Oil on canvas, 194.5x 149.5 cm Date 1873(1873) cjr

83693

Winter Fuel

Oil on canvas, 194.5x 149.5 cm Date 1873(1873) cyf

Sir John Everett Millais

British 1829-1896 Sir John Everett Millais Galleries After his marriage, Millais began to paint in a broader style, which was condemned by Ruskin as "a catastrophe". It has been argued that this change of style resulted from Millais' need to increase his output to support his growing family. Unsympathetic critics such as William Morris accused him of "selling out" to achieve popularity and wealth. His admirers, in contrast, pointed to the artist's connections with Whistler and Albert Moore, and influence on John Singer Sargent. Millais himself argued that as he grew more confident as an artist, he could paint with greater boldness. In his article "Thoughts on our art of Today" (1888) he recommended Vel??zquez and Rembrandt as models for artists to follow. The Two Princes Edward and Richard in the Tower (1878) The Boyhood of Raleigh (1871)Paintings such as The Eve of St. Agnes and The Somnambulist clearly show an ongoing dialogue between the artist and Whistler, whose work Millais strongly supported. Other paintings of the late 1850s and 1860s can be interpreted as anticipating aspects of the Aesthetic Movement. Many deploy broad blocks of harmoniously arranged colour and are symbolic rather than narratival. Later works, from the 1870s onwards demonstrate Millais' reverence for old masters such as Joshua Reynolds and Vel??zquez. Many of these paintings were of an historical theme and were further examples of Millais' talent. Notable among these are The Two Princes Edward and Richard in the Tower (1878) depicting the Princes in the Tower, The Northwest Passage (1874) and the Boyhood of Raleigh (1871). Such paintings indicate Millais' interest in subjects connected to Britain's history and expanding empire. His last project was to be a painting depicting a white hunter lying dead in the African veldt, his body contemplated by two indifferent Africans. This fascination with wild and bleak locations is also evident in his many landscape paintings of this period, which usually depict difficult or dangerous terrain. The first of these, Chill October (1870) was painted in Perth, near his wife's family home. Many others were painted elsewhere in Perthshire, near Dunkeld and Birnam, where Millais rented grand houses each autumn in order to hunt and fish. Millais also achieved great popularity with his paintings of children, notably Bubbles (1886) ?C famous, or perhaps notorious, for being used in the advertising of Pears soap ?C and Cherry Ripe.

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